The Miserable Joy of Eeyore

I’m a year older than I was last week. There’s something about having a birthday that always reminds me of Eeyore. After all, what’s a birthday? Here today, gone tomorrow, as he would say.

Eeyore has always been my favourite of the Winnie-the-Pooh characters. With such lines as, “Good morning Little Piglet. If it is a good morning. Which I doubt. Not that it much matters”, how could you not love him?

On his birthday Eeyore is sardonic, witty and urbane but most of all he is miserable. Eeyore makes us all feel better on our birthdays. He takes on all the pain of ever feeling forgotten or abandoned on what’s supposed to be our special day. He makes even the most monumental loser feel good. No matter how bad things get they’ll always be worse for Eeyore. And that’s a form of comfort.

When I was a kid I was always jealous of my sister’s toy Eeyore. It was a home-made job way before merchandising came to be the market force it is these days. It had character and was well-loved. From an early age my sister and I both knew that Eeyore was the only one who saw the world as it was but still found something worthwhile in it. Even better he expressed his pessimism in no uncertain terms to anyone who’d listen and they still loved him. But most of all he was funny.

I once met a man who used to size people up by finding out who their favourite Winnie-the-Pooh character was. To him it was a reflection of how people viewed the world. Pooh types were optimistic, undemanding and simplistic. Piglets were insecure, needy and eager to please. Owls were quirky, odd and kind of interesting. Tiggers were arrogant and immature. Kangas were often nurses, caring but tired. Roos were wishy-washy. And Rabbit? Who on earth would choose Rabbit as their favourite character? You’d have to be perverse.

Very occasionally you’ll find someone who cites Christopher Robin as their favourite. According to his theory, it shows someone with a marked lack of imagination or a male going through a mid-life crisis.

But when you find another Eeyore you know you’ve found a soul mate. It takes a special type of person to love and appreciate an old grey donkey who pretty much keeps to himself in a damp corner of the 100 Acre Wood.

“I might have known’, said Eeyore. “After all, I have my friends. Somebody spoke to me only yesterday. And it was last week or the week before that Rabbit bumped into me and said ‘Bother!’ The Social Round. Always something going on.”

Thanks Eeyore.

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Freedom. Or Perks?

It’s the time of year when we reflect on the past and look forward to the future. I’ve spent part of the past week at the Woodford Folk Festival and, unlike a lot of other festival-goers, for me it’s been a sobering experience.

Often we don’t notice the changes that occur in our everyday lives. The days slip by, the years flow on and we ease gracefully into other states of being. Well, that’s how I perceive it happening for other people. For myself any change is usually accompanied by much clashing and gnashing.

The first Woodford Festival I went to was a tribal experience. I drove up from Sydney with five others in a Kingswood called Gretel. We set up camp in amongst other people’s tent ropes and tarpaulins. I wandered wide-eyed and sleepless for the entire six days. I went to every jam session and danced all night in the Chai Tent. I joined the choir and made lanterns. I entered The Great Band Competition and circled every act in the program. I immersed myself in the Woodford experience and when it was time to resurface I couldn’t even remember my pin number.

My second Woodford Festival was spent as a performer. I played the Big Top and slept in the Performers’ Camp. I hung out in the Green Room and played in a few jams. I wore one of those coveted “access all areas” wristbands and got to watch packed out shows from the space beside the stage.

The next time I went as a radio announcer. It rained the entire time but I didn’t care. I was like a pig in the proverbial and there was plenty of that.  I interviewed as many performers as I could and when they played for me a crowd would gather. It was live radio at its best.

Since then I’ve produced and presented many national broadcasts from Woodford for the ABC. And when I became a published author I spent a couple of Woodfords on stage as a speaker. Every year I’ve had special privileges because of my position as a broadcaster, a performer and an author including parking spots, all-access wristbands, free tickets and speedy entry.

This year all that changed. It was the first year since that first tribal trip to Woodford that I’ve paid for a ticket. No access all areas, no special treatment.  At first I felt free; I had no responsibilities, no burden of care, nobody expected anything of me. I had no deadlines and no particular place to be. For the first time in almost twenty years I could experience the Woodford Folk Festival on my own terms. But when The Hubby and I had to park in the day parking area and catch the shuttle bus along with all the other punters, the reality sunk in and I didn’t like it. The truth is I enjoy being special. I love having perks and privileges. I scowled like a cranky toddler.

‘Don’t they realise who I am?’ I huffed.

‘Don’t you mean, who you were?’ The Hubby replied.

And it’s true. I love the freedom of retirement. Every day I’m grateful that I get to choose what I do, or don’t do. And after a lifetime in the public eye in one form or another, I adore the invisibility of anonymity. But freedom comes at a price. And for me that included the cost of a ticket and experiencing the festival as a mere member of the public.

So would I change anything about that experience? Would I shackle myself back to the burdens and responsibilities of a working life for the sake of a free ticket and more convenient parking?

I have had the experience of attending the Woodford Folk Festival in many different guises, and those roles of musician, broadcaster and speaker have suited me at the time. But times change and we change with them or we are doomed to a life of resentment and regret. Freedom is more important to me now than recognition, prestige and the perks of a media pass (even though, yes, sometimes I miss those perks).

So here’s to looking forward, to a life of freedom and choices based on that freedom. And if I get a bit huffy from time to time because I used to be someone, I hope I remember that I much prefer the someone that I am now.

Happy 2017.

Burning Up

Black Saturday Fires, Victoria 2009. Photo: Jake Valance.

Summer on the Sunshine Coast. It’s hot, it’s windy and the first serious fire of the season saw flames leaping over three stories high through bushland in Mountain Creek. 

All of us who’ve been close to fire never forget it. I remember the heat and darkness of the bushfires that burnt Tasmania to the ground when I was a young child. A huge red sun low in the sky made our home feel like an alien planet. Our house was the last safe refuge at the bottom of Mt. Nelson. The lounge room was full of kids. Their dads were in the smoke battling to save each others’ homes armed with nothing more than wet gunny sacks and garden hoses. The women gathered in our kitchen talking in hushed and worried voices, not knowing whether they’d have a husband or a home to go to that night.

During the 1994 bush fires that circled Sydney, the band I played in was booked to perform at a festival in Byron Bay. We set off up the highway not knowing whether we’d get through or not. Flames were burning along the side of the road, licking at the bitumen. We could feel the heat through the metal and glass of our hired tour van and were acutely aware that we could be trapped by fire at any moment. The highway closed just after we passed through. 

The festival went ahead, with other acts having to be flown in and much borrowing of amplifiers and equipment. It was a relief to be away from the smoke and the big red bushfire sun that cast Sydney is a strange sepia-toned glow.

The highway was open again by the time we headed back to Sydney, five musos on the road, after a successful performance at the festival. Our career was going well and the future looked good. Not for much longer.

Sometimes you can pinpoint the exact moment when you know a relationship is over. It may not end right there and then but eventually it’s the reason the whole balancing act comes tumbling down in ruins. As we drove back towards a fire-devastated Sydney our bass player flicked her cigarette butt out the window. I felt as though I’d been punched in the stomach. I turned to another member of the band just to check what I’d seen. She looked as shocked as I did. It was a single thoughtless act that highlighted a hundred other thoughtless acts. Families had lost their homes, children had lost their pets, others had lost their livelihoods and that cigarette butt, smouldering on the side of the road, could start the horror all over again.

Three months later the band had a new name and a new bass player.

If only a home or a life were that easy to replace.

The Book of Love

variation-of-books-in-library

Recently I had a major eureka moment. I discovered how love works. I should really keep the details to myself and write a best-seller about it. And that’s a clue as to how this discovery was made. Books. Best-sellers, biographies, histories, romances and horror stories.

I went to a charity book sale, just out of curiosity. I wasn’t looking for anything in particular but I do love books. To tell you the truth when I got there I was a bit overwhelmed; so many books, rows and rows of boxes upon boxes of books. I didn’t know where to start, so I just browsed.

I picked up a couple of books, had a look at them and then put them back. I wasn’t really interested. I picked up a book I knew a friend would love but still nothing for me.

Then I started looking seriously and methodically. I walked up one aisle and down the next looking at each box of books as I went. I found a book that I really should read, a book that would be good for me, a book that would look impressive in my bookcase.  And I chose another book that was uplifting and inspirational, I knew because it said so on the cover.

But still, nothing that excited me.

Then I saw it. I couldn’t believe my eyes or my luck. A book by my favourite author, a book I didn’t even know I was looking for until I found it. And then I knew why I’d come to the book sale. It was purely to find that book. It was fate. The book and I were meant for each other.

That’s how love works.

You don’t know what it is until you find it. You don’t know why you’re doing what you’re doing and then suddenly everything becomes clear.

Occasionally you’ll find a great boyfriend for a friend while you remain single. You choose the person you think you should be with, or someone your mother thinks would be good for you, or someone whose cover looks impressive, but none of them really excite you. Plus you’ve got to sort through a lot of stuff that you don’t want first. 

But when love does arrive, it’s totally unexpected and totally wonderful.

So, when I got home did I curl up in bed with my miraculous discovery? No. I put it on the shelf and started reading the book I thought I should read because it would be good for me.

Books may be meant for the shelf but I think I still have a few things to learn about love.

Photo via Glen Noble via Visualhunt

What makes a girl fall in love? And out?

Petersham InnWhat makes a girl fall in love? Even more interestingly, what makes her fall out of love?

It was another great night at the Petersham Inn on Parramatta Road in Sydney, thanks to the enigmatic Duncan who booked the music and was the licensee. (Duncan died last month but his legacy lives on.)  The band was firing and the buzz about them was beginning to grow.  They were a long way from the multiple ARIA Award winners they’d become but all of us in the Pismo Bar sensed we were witnessing a legend in the making.

Now, I’ve been guilty of falling for a few boys in bands myself in the past but I was nothing compared to my friend Angie. All the excitement got her hot and bothered. She’d caught the guitarist’s eye and wanted to move in for the happy ending.  Neither of them had a car so I was coerced into driving them, and his guitar, back to her place. He and I chatted about music while she hung onto his arm and gazed into his eyes.

That was how it started and that was how it was destined to remain. They didn’t have a lot in common so whenever she was going out with him she’d ask me along too. I’d act as a kind of interpreter; they could both have conversations with me but were at a loss when it came to talking to each other. The three of us spent many happy evenings at No Names in Darlinghurst eating spaghetti while I acted as their go-between.

However, there was one area of their relationship where I couldn’t help them. It’s an area that doesn’t require much talking so I assumed everything was ok. Unfortunately, it wasn’t. It became clear that after the initial rush of excitement something was dreadfully amiss. My friend was not happy. She didn’t mind that he was lost for words but she found it inexcusable that he was tongue-tied.

It’s been my experience that ultimatums don’t work but try telling that to someone with a bee in their bonnet. They can’t hear you, the buzzing’s too loud.  She borrowed a friend’s apartment to ensure privacy and cooked an amazing dinner with candlelight, wine and Peggy Lee. Lord knows what they talked about over dinner but I do know what was said at the end of the evening.  He took the “or else” option and opted out of her life.

She didn’t miss him, but I did. I missed our conversations about music, guitars, books, bags and bands. Was I ever tempted to go out with him? No way. After all, this girl could never fall for a guy who didn’t….have a car.

Do The Mashed Potato

dee-dee-sharp-mashed-potato-time-columbia-2My friend Fiona was a career woman. Like a lot of my friends at the time she had a great job, plenty of money, all the perks she could possibly demand… and a part-time man.  There was an era of my life when the latest accessory for the woman who had everything was the no-commitment relationship.  Fiona called one such relationship  “Three Days”. Once a month he’d fly up from Sydney and they’d do the long weekend thing, an arrangement she was perfectly content with.  Many of my female friends longed for the perfect relationship – not true love, commitment and roses, but a man who’d leave them alone to get on with their busy lives and only be around when it was convenient.

Fiona asked me around for dinner one night, at that stage she was going out with a sailor, a Rear Admiral no less, whose home port was San Francisco. How marvellous we all thought, she has a boyfriend she only sees every 6 months, very clever.  She asked me what I’d like to eat; Thai, African, perhaps Japanese.  She was a rather put out by my reply. At the time I was working on average 14 hours a day (a relationship with a hermit living in a cave in Estonia would have been too much for me) and I wanted bangers and mash for dinner. I think the trend for good old-fashioned home cooking, like mashed potatoes, was spawned by exhausted careerists who needed to feel looked after, just for a while, before chaining themselves to the corporate juggernaut once more.

Fiona did her best with what should have been a simple task; boil potatoes until they’re falling apart, drain, add milk, lashings of butter, salt to taste, and then go to it with the potato masher. Worked for my mum every time. Unfortunately a glossy coffee table book detailing these instructions hadn’t been released and Fiona was way out of her depth.  What should have been the pinnacle of comfort food arrived on our plates as grey, lumpy soup.

Fast food, disposable music and no-commitment relationships left me feeling empty and homesick. But I didn’t have time to dwell, there was too much work to do. I was dishing out instant gratification on commercial radio, highly researched and tightly formatted for maximum monetary gain. My head was full of call-out figures, familiarity scores and burn factors, that was what music had become to me.  Slow cooked food, slow music that cooks and a slowly cooking relationship were way too inconvenient. But the day after that dinner I found time to buy a potato masher.

These days my life is a lot slower and I love it. Everything has changed. Who would have thought that the career-frazzled woman I used to be would become a happily married writer? Not me. Now I have time to think and cook  and write a book that’s coming along way too slowly. And that’s okay. Other things have changed too. The Hubby and I no longer eat mashed potatoes but have discovered the delights of mashed cauliflower and it’s just as delicious and comforting. Fast food no longer enters the building and I’m feeling well and truly committed after 12 years of marriage. But one thing hasn’t changed. I still have that potato masher.

How Michael Franti Saved My Marriage

Many years ago, when our relationship was just a young bud, I took The Hubby to the Byron Bay Blues Festival. I’d spent many years at music festivals of all different kinds, as a performer and a punter. I loved them. I loved music. I’d spent most of my twenties and thirties playing in bands, touring and recording. Now I was working in radio. Festivals were still on the agenda but this time I was usually presenting an outside broadcast or interviewing musicians.

The Hubby had spent most of his twenties and thirties in a very different world. A world of aircraft carriers, trackers, Orions and uniforms. Sure he liked music but his tastes were formed by the mainstream and restricted by what was available on board or at the base.

Bluesfest was an ear opening experience for him. I dragged him from one must-see, or must-hear, to the next. I was in heaven. The Hubby was not. He became decidedly downcast. He didn’t know any of the acts, he’d never heard of them and what he heard he didn’t like. I couldn’t believe it.  Here we were, surrounded by the best music in the world and he was unhappy, dejected, out of place.

I thought dancing together might cheer him up. Another disaster. When I’d played bass and then rhythm guitar in bands  I’d always sat just behind the beat. I liked to stretch out the rhythm into a relaxed lope. The Hubby, perhaps due to the military bands and all that marching, sat right on the beat, or even just in front, always vigilant, always aware. Our dancing became an awkward, wordless struggle. We were clumsy together and became impatient with each other.

In the meantime the kind of bloke I used to go out with was circling. A three-quarter boy with a lopsided grin, a cigarette and a pair of drum sticks. Yep, yet another muso. Charming and shiftless but talking a language I understood. The more The Hubby struggled with the sounds he was hearing, the more I was tempted to stray. Back to the world of talking crap and hanging out, of being surrounded by a pack of wise-cracking musicians strutting their stuff. The world I used to live in. The life I left behind. The pull back to that louche existence was strong in this time of doubt.

I looked at The Hubby and saw a stranger. The man I loved, the honest, soulful, wise and funny man, was gone. I couldn’t see him. Instead a saw a grumpy, rhythmless lump. A millstone. I wanted to be free. Free to enjoy the kaleidoscope of music, free to dance to my own beat, free to indulge in the sonic feast spread out before me. Free of my husband.

And then Michael Franti came on stage.

The Hubby stopped frowning. His body loosened up. There was a hint of a smile on his lips.

‘I like this man,’ he said. ‘I can understand every word he’s singing. His message is great. He has something worth saying. And I like the music.’

The Hubby nodded his head in agreement with Michael Franti’s words. The nod became a smile, the smile became a dance.

I stopped frowning. I loosened up. I began to smile.  I reached for my husband’s hand. If this man could love Michael Franti, I could love this man.

We were back. Back in alignment. Back in love. All thanks to Michael Franti.

Ten years later The Hubby and I were at another music festival. Michael Franti was playing. I said to The Hubby, ‘Let’s go check out his sound check, before the crowds get there.’

We sat on the grass in the natural amphitheatre at the Woodford Folk Festival. Michael Franti gave us, and the other ten or so people who’d had the same idea, a private concert. We danced, we cheered, we clapped, we laughed. And then he came down from the stage in his bare feet, walked over to the grass and sat with us for a chat and an acoustic song. It was magical.

And did I tell him the story of how he’d saved our marriage? You bet I did. He looked askance at first. Unsure of where the story was heading. But when I got to the end there was laughter and hugging. Lots of hugging. “Everybody gotta hug somebody at least once a day.”

Thank you Michael Franti, the man who saved my marriage.

Above is the song he sang on that magical afternoon. If you listen closely you can hear The Hubby and me singing along.